As Digital Cultures becomes the dominant term used by many across a variety of intellectual fields to describe the global social, aesthetic, and political impact of digital media, it is necessary to provide a reference volume specifies and defines the bounds of scholarly debates and curricular outlines for an otherwise amorphous interdisciplinary space. This handbook provides a comprehensive reference for the varied methodologies, historical frames, and theoretical perspectives essential for the study of Digital Cultures today. In outlining these foundations, it serves as a practical guide for educators and students into the broad range of perspectives grouped together for the critical, historical, and social scientific study of digital media. It also looks into the future and outlines an agenda for future research by examining not only the origins of the concept of Digital Culture, but emerging topics and themes still in development, such as the relation between digital technology and climate change, artificial intelligence and knowledge, sensation and aesthetics, and the rise of new infrastructures reinventing not only the built environment, but the boundaries of nations and sovereignty.
